E-book
Barney's version
Record details
- ISBN: 9780307367389 (electronic bk.)
- ISBN: 030736738X (electronic bk.)
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Physical Description:
electronic resource
remote
1 online resource. - Publisher: New York : Vintage Books, 2010.
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| Subject: | Murder -- Fiction Man-woman relationships -- Fiction |
| Genre: | Electronic books. |
Electronic resources
- Booklist Reviews : Booklist Monthly Selections - #2 October 1997
/*Starred Review*/ Richler's newest novel is packed with all the wit and irreverence that both his admirers and detractors have come to expect in his writings. Though the targets of his satire are widely ranged, he seems to take special joy in flaying such sacred cows as political correctness, self-important authors, Canadian culture, and the Quebec separatist movement. He also enjoys teasing the reader with a murder mystery: Did Barney Panofsky kill his best friend, Boogie, after finding him in bed with his second wife? The answer isn't revealed until the very last page. Sixty-seven-year-old Barney has led a rich and notorious life, but the years have taken their toll, and so, before his memories fail him, he decides to set down his side of the story. His remembrances meander back and forth through time, although he keeps them loosely centered upon his three marriages: the first to an insane poet, the second to a Jewish Canadian princess, and the third to the woman of his dreams. All end disastrously. Barney's story begins in Paris, where he lived the bohemian life with North American expatriate artists during the 1950s. Through the years, and the course of his marriages, he becomes an entrepreneur, moves back to Canada, and eventually heads a lucrative TV company, Totally Useless Productions, which specializes in programs that have no culturally redeeming values. This will very likely be Richler's most popular work since The Apprenticeship of Duddy Kravitz (1959). ((Reviewed October 15, 1997)) Copyright 2000 Booklist Reviews - Library Journal Reviews : LJ Reviews 1997 December
You have to like a narrator who can ask about libel after being accused "in print, of being a wife-abuser, an intellectual fraud, a purveyor of pap, a drunk with a penchant for violence, and probably a murderer as well" only to have his lawyer answer "Sounds like [the writer] got things just about right." Richler is in top form with this first-person voice of Barney Panovsky, 67-year-old TV producer at Totally Useless Productions, thrice-married (the third being the one that matters, and she's gone; the second, after being found in bed with Barney's best friend, Boogie, is the catalyst for the putative murder), fretting over liver spots and mental slippage. The book is always hilarious, but the humor is sharpened by the psychological accuracy/honesty and the richness of detail; in short, this is one well-written book. There are even footnotes to help out when Barney gets something wrong. Absolutely for all collections, this is what Barney calls his third wife: "a keeper." Robert E. Brown, Onondaga Cty. P.L., Syracuse, N.Y. Copyright 1998 Library Journal Reviews - Publishers Weekly Reviews : PW Reviews 1997 October #4
Readers may never love Barney Panofsky, the self-destructive, self-loathing, derisive, womanizing, hot-tempered antihero of Richler's latest novel. But by the end of what he calls "this story of my wasted life,'' one feels sorrow and pity for a heartbroken man. At 68, Barney can't believe that the promising future that beckoned during the 1950s in Paris, when he was part of a group of would-be writers, was never fulfilled. After the suicide of his neurotic first wife, poet and feminist icon Clara Chambers, Barney returns to Montreal and becomes a producer of trashy TV commercials and films, marries again, disastrously, and later is accused of the murder of his mentor and best friend, the writer Bernard (Boogie) Moscovitch, whose body has never been discovered. Barney's guilt and grief over his role in Boogie's disappearance, his jealousy over the literary stardom of another Paris acquaintance, Terry McIver, and his heartsick knowledge that his selfishness, boozing and philandering were responsible for the departure of his beloved third wife, Miriam, have left him a hollow shell. Not that the novel is a downer, however. Though sometimes Barney's woes dampen the narrative tension, Richler still excels in writing hilarious, ribald scenes, many of them set in bars or in bed. The social fabric of Montreal continues to provide rich material, especially in characters who rose from its working-class Jewish neighborhood (Duddy Kravitz and members of the Gursky family make cameo appearances). Even Barney's attempts to deal with his increasing memory lapses will raise rueful laughter. Always irreverent, Richler is particularly uninhibited here, taking swipes at Philip Roth and Princess Di as well as other figures, wading into the issue of anti-Semitism with his dukes up. The knockout surprise solution to the mystery of Boogie's fate awaits on the very last page of this bittersweet tale (sure to provoke comparisons with Updike's Toward the End of Time), which, while it may not be Richler's best, is a mordant addition to his work. (Dec.) Copyright 1998 Publishers Weekly Reviews
