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Brave : cult member, runaway, captive, starlet, victim, sex symbol, justice seeker  Cover Image E-book E-book

Brave : cult member, runaway, captive, starlet, victim, sex symbol, justice seeker

Summary: In Hollywood McGowan was continually on display, and stardom soon became a personal nightmare of constant exposure and sexualization. She escaped into the world of her mind, something she had done as a child, and into high-profile relationships. She was supposed to be silent and cooperative and to stay the path. Instead, she rebelled and asserted her true identity and voice. This is her raw, honest, and poignant memoir/manifesto: an exposé about an entertainment industry built on systemic misogyny.--

Record details

  • ISBN: 9780062655998
  • ISBN: 006265599X
  • ISBN: 9780062655981
  • ISBN: 0062655981
  • ISBN: 9780062851789
  • ISBN: 0062851780
  • ISBN: 9780062851796
  • ISBN: 0062851799
  • Physical Description: remote
    1 online resource (xiv, 251 pages) : illustrations.
  • Edition: First edition.
  • Publisher: New York, NY : HarperOne, an imprint of HarperCollins Publishers, [2018]

Content descriptions

Formatted Contents Note: Introduction -- Child of God -- American girl -- Runaway thinker -- Brutality -- Captivity -- It begins -- Death of self -- Circus life -- Televised life -- Destruction -- Ashes to ashes -- Phoenix rise -- Cult of thought -- We are brave -- P.S.
Source of Description Note:
Print version record.
Subject: McGowan, Rose -- 1973-
Actors -- United States -- Biography
Misogyny -- California
Hollywood (Los Angeles, Calif.) -- Social life and customs
BIOGRAPHY & AUTOBIOGRAPHY / Women
BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs
SOCIAL SCIENCE / Women's Studies
Genre: Autobiographies.
Electronic books.

Electronic resources


  • Booklist Reviews : Booklist Reviews 2018 March #1
    Rose McGowan survived a childhood in a cult and intermittent teenage homelessness, but what really broke her was Hollywood. Anyone who consumed any media at the end of 2017 knows of producer Harvey Weinstein's downfall as allegations of rampant sexual assault came to light, led fiercely and publicly by McGowan. In Brave, she does not shy away from details of her assault at the Sundance Film Festival in 1997 (though she refers to Weinstein only as the "Monster"). But first, her life story: born into the Children of God cult in Italy, she instinctively rebelled against religious brainwashing, despite the resultant punishment. When the cult started justifying pedophilia, her father moved the family to the U.S., and McGowan's childhood was spent in Colorado (beautiful) and rural Oregon (rednecks). Her freakish style (described as "Moth," a cross between mod and goth) led to her being literally plucked off the streets to star in Gregg Araki's The Doom Generation. Because she was new, she was not privy to the whisper network that surrounded Weinstein; after her assault, a male costar muttered, "I told him not to do that anymore." Essentially blacklisted from film, she turned to television, replacing Shannen Doherty on the sister-witch show Charmed. The grueling schedule (and costars with whom no love has been lost, apparently) left her exhausted and vulnerable to the creative charms of Robert Rodriguez (referred to as "RR"), who left his wife for her, and the boys' club led by Quentin Tarantino, where women can be strong as long as they are also mostly naked and willing to die in really gruesome ways.Brave will appeal in two ways: it is a celebrity memoir, and although McGowan's insistence on her own inner strength and superior intelligence can be exhausting, she dishes some good dirt, especially for those who grew up during her indie-darling phase. (As a side note: she has very sweet things to say about ex-boyfriend Marilyn Manson.) But it is also a fierce, sometimes dryly funny calling out of the hypocrisy and misogyny of Hollywood. She excoriates everyone who is culpable, from the assaulters to the complicit female producers to the public who knows the representation of women in media is dangerous and wrong but who consume it anyway. She also speaks to fellow survivors, who are perhaps the most important audience for this book. McGowan has been through hell, and she knows you have, too. The book may be self-promotional at times, but it is also a battle cry. Copyright 2018 Booklist Reviews.
  • PW Annex Reviews : Publishers Weekly Annex Reviews

    Actress and director McGowan's disturbing and captivating memoir is a scathing indictment of Hollywood, which she calls a "cult," as well as a riveting account of survival. McGowan was born in Italy to American parents involved in a religious group called the Children of God and was physically abused by members of the group as a child. Her father eventually fled to the U.S. with McGowan, her siblings, and his second wife. McGowan, however, says that she continued to suffer from mistreatment and neglect; for a time in her teens she was hungry and homeless, living on the streets in Oregon. After a chance encounter with a friend with Hollywood connections, McGowan made her way to Los Angeles, where she won parts in such films as Scream and later landed a role in the hit TV series Charmed. Readers will find her graphic description of being sexually assaulted by a notorious but unnamed studio head to be repellant and raw. McGowan's struggle to endure in her career (she writes that she was blacklisted after the assault) leads to her fearless unveiling of the injustices and "systemic misogyny" that she claims are rampant in Hollywood. A chapter titled "Cult of Thought" is a call to action, promoting a new order in which women (and men) are valued for their creative differences. Frank and bold, this memoir is a resounding wakeup call to the entertainment industry and to society as a whole. (Jan.)

    Copyright 2018 Publishers Weekly Annex.
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